The last dragon part 2 series#

The unity rhetoric feels awfully trite, but it also teaches forgiveness: a worthy lesson for the kids. Then thereвЂ™s Sisu, whose unwavering faith in humanity will leave its mark on both ladies. Raya and Namari must learn to trust each other despite the history of betrayal - and between them thereвЂ™s maybe, just maybe even the faintest hints of sexual tension. вЂњDisney princessвЂќ may eventually just become another word for вЂњsuperhero,вЂќ but at least she wonвЂ™t need saving.ДЄnd here, the most meaningful and transformative relationships are between women, er, feminine beings. In any case, the gender politics of the recent live-action вЂњMulan,вЂќ which some found to be retrograde, puts вЂњRayaвЂќ in perspective: ThereвЂ™s no doubting our heroineвЂ™s abilities, nor is there mention of her being exceptional. Is Disney paying tribute to these cultures? Or are these cultures instruments of corporate strategy? Places as different as Mexico (вЂњCocoвЂќ), the Polynesian Islands (вЂњMoanaвЂќ) and now Southeast Asia are flattened along the Disney continuum, with each feeling like one in a collection. But the Lords of Everything quickly grow bored of the chaos and opt for a much simpler exhibition match: Goku vs. In this second part, Twilight Sparkle and her friends. 'The Super Warriors Gather, Part 2' The Zen Exhibition Match continues and all of the Gods of Destruction seem to really want a piece of Beerus.

The last dragon part 2 series#

It is the second part of a two-part episode, and it premiered as part of the 90-minute series finale. The Disney treatment, like the Druun itself, seems to neutralize whatever it touches, no matter how hard it works to preserve the distinctive elements of the non-Western cultures it has brought under its label, especially recently. The Ending of the End - Part 2 is the twenty-fifth episode of season nine of My Little Pony Friendship is Magic and the shows two hundred and twenty-first episode overall. The animators donвЂ™t stray far from the overall style of recent Disney fare like вЂњFrozenвЂќ or вЂњMoana,вЂќ though the filmвЂ™s meticulously detailed environments - rainforest shrines teeming with visible moisture, snowy mountain fortresses shrouded in fog - are particularly impressive.

Raya and company traverse multiple lands to collect the scattered pieces of the stone, giving the creators an excuse to indulge in expansive world-building, while snappy editing and rousingly choreographed action scenes animate these settings with comic strip panache. In typical Disney-princess fashion, our brooding heroine acquires a joke-slinging sidekick in nonhuman form: Sisu (Awkwafina), the titular last dragon, who (like Mushu in вЂњMulanвЂќ before her) isnвЂ™t a menacing behemoth so much as a klutzy, shape-shifting My Little Pony-like creature. Faith in the goodness of other people - even those from distant lands and of different persuasions - is the governing theme of вЂњRaya and the Last Dragon,вЂќ which the directors Don Hall and Carlos LГіpez Estrada, and the screenwriters Qui Nguyen and Adele Lim, set in a fantasyland version of Southeast Asia complete with floating markets, water taxis and lots of shrimp congee.